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Sea And Sardinia New Annotated Edition - A Captivating Journey Through History and Beauty
![Jese Leos](https://indexdiscoveries.com/author/paul-reed.jpg)
Sea And Sardinia, a masterpiece by D.H. Lawrence, takes readers on an enthralling adventure through the enchanting island of Sardinia. Known for its pristine beaches, rugged landscapes, and rich history, Sardinia has captivated travelers for centuries. With the release of the new annotated edition, readers can now delve even deeper into Lawrence's mesmerizing narrative and experience the vivid descriptions of the island's landscape, culture, and people.
Discovering the Enchanting Sardinia
Sardinia, located in the heart of the Mediterranean Sea, offers a breathtaking blend of natural beauty and ancient history. From the crystalline waters of Costa Smeralda to the rugged cliffs of Capo Caccia, the island is an oasis of wonder and serenity. Lawrence, in his book, beautifully illustrates the stunning beaches, hidden coves, and picturesque towns that make Sardinia a true gem.
A Journey Through Time
Sea And Sardinia provides readers with a fascinating insight into the history and culture of the island. Lawrence's vivid descriptions paint a vivid picture of the ancient nuraghe, mysterious Bronze Age structures that dot the Sardinian landscape. These architectural wonders, shrouded in mystery, have fascinated historians and archaeologists for centuries.
4.4 out of 5
Language | : | English |
File size | : | 2205 KB |
Text-to-Speech | : | Enabled |
Enhanced typesetting | : | Enabled |
Word Wise | : | Enabled |
Print length | : | 119 pages |
Lending | : | Enabled |
Screen Reader | : | Supported |
Unveiling the Annotated Edition
The new annotated edition of Sea And Sardinia takes the reader's experience to a whole new level. With meticulously researched annotations, readers can delve deeper into the historical context, cultural references, and literary significance of Lawrence's work. Each page offers a wealth of information, enhancing the reading experience and providing a newfound appreciation for the author's genius.
The Long Descriptive Keywords for Alt Attributes
Alt attributes play a crucial role in search engine optimization and web accessibility. In this new annotated edition, each image is accompanied by a long descriptive keyword-rich alt attribute that provides an accurate and vivid description of the visual content. From "sandy beach with crystal clear turquoise waters" to "majestic sunset over ancient ruins," these alt attributes enhance both the visual experience for readers and the discoverability of the book in search engines.
Unforgettable Characters
Sea And Sardinia is not just a travelogue but also a captivating character study. Lawrence introduces readers to a myriad of fascinating personalities, from the charming locals immersed in their ancient traditions to the curious travelers seeking escapism. Through his keen observations and insightful commentary, Lawrence brings these characters to life, making them feel like old friends.
The new annotated edition of Sea And Sardinia is a must-read for both fans of D.H. Lawrence and travel enthusiasts. The detailed annotations, enriching historical context, and captivating storytelling make this book a true gem for anyone seeking to explore the beauty of Sardinia and appreciate the artistry of one of the greatest literary minds.
4.4 out of 5
Language | : | English |
File size | : | 2205 KB |
Text-to-Speech | : | Enabled |
Enhanced typesetting | : | Enabled |
Word Wise | : | Enabled |
Print length | : | 119 pages |
Lending | : | Enabled |
Screen Reader | : | Supported |
«Sea and Sardinia» describes a brief excursion undertaken in January 1921 by D.H. Lawrence and Frieda, his wife a.k.a. Queen Bee, from Taormina in Sicily to the interior of Sardinia. They visited Cagliari, Mandas, Sorgono, and Nuoro. Despite the brevity of his visit, Lawrence distils an essence of the island and its people.
«I gave him three francs. He looked at it as if it were my death-warrant. He peered at the paper in the light of the lamp. Then he extended his arm with a gesture of superb insolence, flinging me back my gold without a word. “How!” said I. “Three francs are quite enough.” “Three francs—two kilometers—and three pieces of luggage! No signore. No! Five francs. Cinque franchi!” And averting his pallid, old mud-larking face, and flinging his hand out at me, he stood the image of indignant repudiation. And truly, he was no taller than my upper waistcoat pocket. The brat! The brat! He was such an actor, and so impudent, that I wavered between wonder and amusement and a great inclination to kick him up the steps. I decided not to waste my energy being angry. “What a beastly little boy! What a horrid little boy! What a horrid little boy! Really—a little thief. A little swindler!” I mused aloud. “Swindler!” he quavered after me. And he was beaten. “Swindler” doubled him up: that and the quiet mildness of my tone of invocation. Now he would have gone with his three francs. And now, in final contempt, I gave him the other two. He disappeared like a streak of lightning up the gangway, terrified lest the steward should come and catch him at his tricks. For later on I saw the steward send other larks flying for demanding more than one-fifty. The brat.»
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