The Slowest Kiss Makes Too Much Haste

Love, a magical and mysterious sensation that can ignite fireworks in our souls and transport us to a world where time seems to stand still. The act of kissing, a universal expression of affection, holds immense power within its gentle touch. However, in today's fast-paced world, where instant gratification and quick fixes dominate, the art of the slowest kiss is often overshadowed by haste.

Discovering the True Meaning of Intimacy

In a world consumed by speed, we forget the beauty of experiencing things slowly. The same applies to kisses. Many believe that intensity is directly proportional to speed, leading to rushed, passionless exchanges that barely scratch the surface of what true intimacy encompasses.

The Witch: “The slowest kiss makes too much haste.”

by Thomas Middleton (Kindle Edition)

5 out of 5

Language	:	English
File size	:	204 KB
Text-to-Speech	:	Enabled
Enhanced typesetting	:	Enabled
Screen Reader	:	Supported
Print length	:	116 pages

FREE

The slowest kiss, on the other hand, defies these misconceptions. It is a languid dance of lips, an unspoken language between two souls that speaks volumes without uttering a word. It is the epitome of patience, passion, and depth.

The Power of the Slowest Kiss

When two individuals engage in the slowest kiss, a profound connection blossoms. The world around them fades, and time holds no meaning. It is an intimate moment filled with anticipation, as every second inches closer to a blissful union of souls.

This unhurried act allows both partners to explore the contours of each other's lips, savoring every sensation, and creating memories that will linger forever. It is a celebration of vulnerability, a testament to trust and emotional connection.

Escaping the Fast Lane

In a society where fast is often celebrated, it is essential to remember the importance of slowing down and embracing the present moment. We often find ourselves rushing through life, oblivious to the beauty that lies in the simple and subtle gestures.

The slowest kiss reminds us of the joy that lies in patience, the richness of getting lost in the enchantment of a single breath shared between two souls. It teaches us that haste sacrifices depth, robs us of treasured moments, and leaves us yearning for something more.

Rediscovering the Lost Art

Reviving the art of the slowest kiss requires a conscious effort to break away from the hurried norm. It demands setting aside our preoccupations and dedicating ourselves to the present moment, to our partner.

It starts with an embrace, a gentle touch, and a shared gaze that speaks volumes. As the kiss unfolds, time slows down, and the outside world ceases to exist. It becomes a moment of intense vulnerability, where everything else fades, and two souls come together in perfect harmony.

In

The slowest kiss defies the constraints of modern society, reminding us that the most beautiful experiences are worth savoring. It is a reminder to immerse ourselves fully in the present, to release the need for instant gratification and embrace the power of patience.

So, next time you find yourself amidst a passionate embrace, take a moment to slow down and honor the magic within the slowest kiss. Let it transport you to a world where time stands still, and love reigns supreme.

The Witch: “The slowest kiss makes too much haste.”

by Thomas Middleton (Kindle Edition)

5 out of 5

Language	:	English
File size	:	204 KB
Text-to-Speech	:	Enabled
Enhanced typesetting	:	Enabled
Screen Reader	:	Supported
Print length	:	116 pages

FREE

Thomas Middleton was born in London in April 1580 and baptised on 18th April. Middleton was aged only five when his father died. His mother remarried but this unfortunately fell apart into a fifteen year legal dispute regarding the inheritance due Thomas and his younger sister. By the time he left Oxford, at the turn of the Century, Middleton had and published Microcynicon: Six Snarling Satirese which was denounced by the Archbishop of Canterbury and publicly burned. In the early years of the 17th century, Middleton wrote topical pamphlets. One – Penniless Parliament of Threadbare Poets was reprinted several times and the subject of a parliamentary inquiry. These early years writing plays continued to attract controversy. His writing partnership with Thomas Dekker brought him into conflict with Ben Jonson and George Chapman in the so-called War of the Theatres. His finest work with Dekker was undoubtedly The Roaring Girl, a biography of the notorious Mary Frith. In the 1610s, Middleton began another playwriting partnership, this time with the actor William Rowley, producing another slew of plays including Wit at Several Weapons and A Fair Quarrel. The ever adaptable Middleton seemed at ease working with others or by himself. His solo writing credits include the comic masterpiece, A Chaste Maid in Cheapside, in 1613. In 1620 he was officially appointed as chronologer of the City of London, a post he held until his death. The 1620s saw the production of his and Rowley's tragedy, and continual favourite, The Changeling, and of several other tragicomedies. However in 1624, he reached a peak of notoriety when his dramatic allegory A Game at Chess was staged by the King's Men. Though Middleton's approach was strongly patriotic, the Privy Council silenced the play after only nine performances at the Globe theatre, having received a complaint from the Spanish ambassador. What happened next is a mystery. It is the last play recorded as having being written by Middleton. Thomas Middleton died at his home at Newington Butts in Southwark in the summer of 1627, and was buried on July 4th, in St Mary's churchyard which today survives as a public park in Elephant and Castle.