The Unconventional Genius: Anthony Neilson And The Devised Text

When it comes to pushing the boundaries of theatre, few can match the visionary brilliance of Anthony Neilson. With his unconventional approach to writing and directing, Neilson has become a true pioneer in the world of devised text. From his early works to his latest productions, his unique storytelling and experimentation have left audiences in awe and artists in admiration.

The Journey of a Maverick

Anthony Neilson was born in 1967 and raised in Edinburgh, Scotland. His passion for the arts emerged at a young age, leading him to study drama at the University of Edinburgh, where he honed his skills as an actor and writer. It was during this time that Neilson's interest in devised theatre began to take shape.

Contemporary Rehearsal Practice: Anthony Neilson and the Devised Text

by Michael Kerrigan (Kindle Edition)

4.4 out of 5

Language	:	English
File size	:	939 KB
Text-to-Speech	:	Enabled
Screen Reader	:	Supported
Enhanced typesetting	:	Enabled
Word Wise	:	Enabled
Print length	:	297 pages
Paperback	:	150 pages
Item Weight	:	1.11 pounds

FREE

Devised theatre, also known as collaborative or ensemble theatre, involves a group of artists working together to create a performance without a pre-existing script. It allows for a unique and organic creative process, where ideas and scenes are developed collectively.

After graduating, Neilson joined the Royal Court Theatre, which became his creative home for many years. It was here that he had the opportunity to work with renowned playwrights like Caryl Churchill and Sarah Kane, experiences that would further shape his artistic approach.

The Birth of Devised Text

Neilson's breakthrough came in 1991 with his play "Penetrator," a dark exploration of masculinity and violence. This production marked the beginning of his signature style, characterized by explicit content, fragmented narratives, and a willingness to confront taboo subjects.

But it wasn't until his critically acclaimed play "The Censor" in 1997 that Neilson fully embraced the concept of devised text. This groundbreaking piece used improvisation and collaboration as the basis for its creation, ultimately resulting in a powerful and thought-provoking production.

Since then, Neilson has continued to explore the potential of devised text in his work. His plays such as "Stitching," "Realism," and "The Wonderful World of Dissocia" have all pushed the boundaries of traditional storytelling, challenging both artists and audiences alike.

The Artistic Process

At the core of Neilson's work is his commitment to the ensemble. He believes in creating a safe and collaborative environment where everyone's ideas are valued, allowing for a truly inclusive and diverse creative process.

Neilson's rehearsals involve extensive improvisation, with actors and collaborators working together to refine scenes and develop characters. This fluid approach to storytelling allows for a deeper exploration of themes and a sense of ownership over the material.

Throughout the creative process, Neilson encourages risk-taking and experimentation. He encourages his collaborators to challenge conventions, break rules, and think outside the box. This fearless mindset has often led to groundbreaking productions that defy categorization.

Awards and Legacy

Anthony Neilson's unconventional approach to theatre has not gone unnoticed. His works have received critical acclaim and numerous awards, solidifying his status as a trailblazer in the field of devised text.

His production of "The Wonderful World of Dissocia" won the TMA Award for Best Musical in 2008, while "Stitching" received the Scotsman Fringe First Award in 2002. These accolades, among others, are a testament to his unique vision and incredible talent.

Neilson's influence extends beyond his own works. Through his teaching and workshops, he has inspired a new generation of theatre-makers to explore the possibilities of devised text. His emphasis on collaboration, risk-taking, and experimental storytelling continues to shape the landscape of contemporary theatre.

A Future of Innovation

As Anthony Neilson continues to push the boundaries of theatre, one thing remains clear – his work will always surprise and challenge. His unconventional approach to writing and directing serves as an inspiration to artists around the world.

For those interested in the world of devised theatre or looking to push the limits of their own creativity, Anthony Neilson's body of work is a treasure trove of inspiration. His plays remind us that innovation often lies outside the lines, and that the unconventional can lead to the extraordinary.

So, whether you're a theatre enthusiast or an aspiring artist, take a dive into the world of devised text and let Anthony Neilson be your guide. Prepare to be captivated, shocked, and inspired by the genius of this visionary playwright and director.

Contemporary Rehearsal Practice: Anthony Neilson and the Devised Text

by Michael Kerrigan (Kindle Edition)

4.4 out of 5

Language	:	English
File size	:	939 KB
Text-to-Speech	:	Enabled
Screen Reader	:	Supported
Enhanced typesetting	:	Enabled
Word Wise	:	Enabled
Print length	:	297 pages
Paperback	:	150 pages
Item Weight	:	1.11 pounds

FREE

This book provides the first comprehensive study of Anthony Neilson’s unconventional rehearsal methodology. Neilson’s notably collaborative rehearsal process affords an unusual amount of creative input to the actors he works with and has garnered much interest from scholars and practitioners alike.

This study analyses material edited from 100 hours of footage of the rehearsals of Neilson’s 2013 play Narrative at the Royal Court Theatre, as well as interviews with Neilson himself, the Narrative cast and actors from other Neilson productions. Replete with case studies, Gary Cassidy also considers the work of other relevant practitioners where appropriate, such as Katie Mitchell, Forced Entertainment, Joan Littlewood, Peter Brook, Complicite’s Simon McBurney, Stanislavski and Sarah Kane.

Contemporary Rehearsal Practice will be of great interest to scholars, students and practitioners of theatre and performance and those who have an interest in rehearsal studies.