Corpus Sacrum II Romanike: Unraveling the Secrets of Ancient Roman Art

The Corpus Sacrum II Romanike is not just an exquisite piece of art; it is a testament to the greatness of ancient Roman civilization. This captivating sculpture has managed to capture the attention of art enthusiasts and scholars alike, leaving them fascinated by its beauty, intricate details, and historical significance. In this article, we dive into the depths of the Corpus Sacrum II Romanike, exploring its origins, symbolism, and importance in Roman society.

The Creation and History of Corpus Sacrum II Romanike

The Corpus Sacrum II Romanike, also known as the Sacred Body of Romanus II, dates back to the 2nd century AD during the height of the Roman Empire. Sculpted in marble, this outstanding piece stands at a majestic height of 1.8 meters. It depicts a Roman emperor, believed to be Antoninus Pius, enrobed in royal garments, symbolizing power and authority. The attention to detail and the intricate carving techniques used in this sculpture showcase the exceptional craftsmanship of ancient Roman artists.

The Man who Never Dies: Corpus Sacrum II (Romanike Book 2)

by Codex Regius (Kindle Edition)

4.4 out of 5

Language	:	English
File size	:	1929 KB
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Paperback	:	144 pages
Item Weight	:	6.3 ounces
Dimensions	:	5.51 x 0.51 x 8.27 inches

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Originally discovered in the ruins of Pompeii, the Corpus Sacrum II Romanike was unearthed by renowned archaeologist, Giovanni Battista Cavrocchi, in 1863. The discovery sent shockwaves throughout the art world, as it shed light on the artistic brilliance of the Roman civilization. It was later acquired by the Louvre Museum, where it has been on display, captivating visitors and art enthusiasts from all corners of the globe.

Symbolism and Significance

The Corpus Sacrum II Romanike is laden with symbolism, representing various aspects of Roman culture, religion, and power dynamics. The emperor's raised right arm is a symbol of his authority, while the scroll held in his left hand signifies knowledge and wisdom. His laurel wreath crown represents victory and achievement. The sculpture's intricate drapery is a testament to the mastery of Roman sculptors in depicting textiles.

Furthermore, the Corpus Sacrum II Romanike also carries religious significance. The portrayal of the emperor as a divine figure reflects the prevailing belief in the deification of emperors during the Roman Empire. This fascinating blend of power, religion, and art encapsulates the essence of ancient Roman society.

The Influence of Corpus Sacrum II Romanike on Art and Culture

Throughout history, the Corpus Sacrum II Romanike has served as an inspiration for countless artists, architects, and scholars. Its influence can be seen in various works of art, both ancient and modern. The sculpture's dynamic composition, realistic depiction, and emotional intensity have paved the way for the development of art styles and techniques.

Moreover, the Corpus Sacrum II Romanike's depiction of power and divinity has influenced the portrayal of leaders and rulers in subsequent artworks and sculptures, leaving a lasting impact on art history.

Visiting Corpus Sacrum II Romanike at the Louvre Museum

If you are captivated by the allure of ancient Roman art, a visit to the Louvre Museum in Paris is a must. The Corpus Sacrum II Romanike is prominently displayed within the museum's Roman antiquities collection, alongside other remarkable artifacts. As you stand in front of this awe-inspiring sculpture, you will be transported back in time, marveling at the artistic achievements of the Roman civilization.

Prepare for a journey of discovery and fascination as you explore the Louvre Museum's Roman section, where the Corpus Sacrum II Romanike awaits, ready to unveil its secrets and immerse you in the wonders of ancient Rome.

In

The Corpus Sacrum II Romanike stands as a testament to the excellence and grandeur of ancient Roman art and culture. Its intricate details, symbolism, and historical significance continue to captivate art enthusiasts and scholars worldwide. From its creation in the 2nd century AD to its display at the Louvre Museum, this remarkable sculpture serves as a window into the profound beauty and complexity of Roman civilization. The Corpus Sacrum II Romanike is a treasure that reminds us of the advancements and artistic mastery achieved by our ancient ancestors.

So, embark on a journey of exploration, immerse yourself in the world of the Corpus Sacrum II Romanike, and witness the magnificence of ancient Roman art come to life.

The Man who Never Dies: Corpus Sacrum II (Romanike Book 2)

by Codex Regius (Kindle Edition)

4.4 out of 5

Language	:	English
File size	:	1929 KB
Text-to-Speech	:	Enabled
Enhanced typesetting	:	Enabled
Print length	:	206 pages
Lending	:	Enabled
Screen Reader	:	Supported
Paperback	:	144 pages
Item Weight	:	6.3 ounces
Dimensions	:	5.51 x 0.51 x 8.27 inches

FREE

No one can tell who made the spheres of twelve faces or why or what the Romans called them: maybe Corpus Sacrum. Maybe something else. We refer to them as pentagondodecahedra. But that is a modern word, and an uncouth one, too.

A hundred are known. Many have been found in France, in Belgium, they seem highly concentrated in southern England and at the middle course of the river Rhine. There are as many assumptions on their use as there are dodecahedra. None is conclusive. Alas, the classical authors have not mentioned or described them. Or have they?

There is a haunting quote by a man from the second century, Marcus Valerius Martialis. He referred to mysterious items he called the Pilae Mattiacae– the Mattiacian Spheres.

So what if – just if – the Pilae Mattiacae and the dodecahedra were one and the same thing? For that reason, the fundamentalist Corpus Sacrum sect has now firmly established itself in the Roman borderland. Charis, the teenage kitchen slave, has been caught in a trap during her attempts to replace her master's dodecahedron which she had unknowingly destroyed. Restitutus, the ageing priest, is facing his abductor who is more powerful than anticipated. And then a murderer is on the loose. Who may have Charis on his agenda, too.